![]() Let's examine how SCEG combines the various elements to create a unified and playable instrument, and how the different parts of the library are organised. Sounds simple in principle, doesn't it? But without more specific rules, notes could interconnect unnaturally or hang across each other, and inappropriate noises might trigger at the wrong times - in short, a train wreck! The changes between articulations therefore need to be seamless and transparent. The basic method used to accomplish this would seem to be fairly straightforward - all the required articulations are loaded into a Kontakt Player Multi as individual 'instruments', all responding to the same MIDI channel, and keyswitches are used to provide instant access to any of those articulations. This is the main thrust of SCEG: to deliver a high degree of control and playability in live performance, as well as the speedy construction of authentic‑sounding guitar parts in a sequencing environment. In order to reproduce convincingly realistic guitar performances, you need instantaneous access to many different articulations and playing techniques, all in real time. Yes, it's big, particularly when compared to the 893MB library that drives RealStrat - but then the operational concepts behind SCEG are rather different. Prominy have opted for NI's Kontakt Player 2 playback engine to host the sizeable 64GB, 44.1kHz/24‑bit sample library that forms the heart of SCEG. The overtly rock and heavy metal stylings make it quite clear where Mr Okawa is coming from! If you're interested in emulating expressive, overdriven rock guitar performances, then SCEG could be just what you've been looking for. To get an idea of SCEG's true metier, it's well worth catching the impressive video and audio demos on Prominy's web site - they're performed by SCEG's creator, Akihito Okawa. ![]() ![]() Japanese company Prominy's latest offering on this theme is SC Electric Guitar, a sample‑based virtual instrument dedicated to reproducing the iconic sound of the Fender Stratocaster in some considerable detail. ![]() It's just as well, then, that various acoustic and electric guitar‑oriented virtual instruments have been appearing on the market - perfect toys to satisfy the urges of would‑be axe‑thrashers like me. ![]()
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